Chinese writing is character based, the one major world script that is neither alphabetic nor syllabic. Through the years, the Chinese written language encountered presumed alphabetic universalism in the form of Morse Code, Braille, stenography, Linotype, punch cards, word processing, and other systems developed with the Latin alphabet in mind. This book is about those encounte...(展开全部)

Iris Chang made headlines in 1997 with the publication of The Rape of Nanking-a meticulously researched and brilliantly rendered examination of the sacking of that great city by the Japanese during World War II. Many readers of The Rape of Nanking responded to its themes of the fight for justice and the assertion of cultural identity-themes Chang expands upon in her new book. C...(展开全部)

One of the most popular Macintosh books ever written, The Mac is not a typewriter has been called the "Strunk and White of typography." Best-selling author Robin Williams's simple, logical principles for using type to produce beautiful, professional documents are as true now as they were when the original edition was published in 1989. This updated edition includes new examples...(展开全部)

In an epic story that spans 150 years and continues to the present day, Iris Chang tells of a people’s search for a better life—the determination of the Chinese to forge an identity and a destiny in a strange land and, often against great obstacles, to find success. She chronicles the many accomplishments in America of Chinese immigrants and their descendents: building the infr...(展开全部)

Jackie Sheehan traces the background and development of workers clashes with the Chinese Communist Party through mass campaigns such as the 1956-7 Hundred Flowers movement, the Cultural Revolution, the April Fifth Movement of 1976, Democracy Wall and the 1989 Democracy Movement. The author provides the most detailed and complete picture of workers protest in China to date and l...(展开全部)

The fascinating, untold story of how the Chinese language overcame unparalleled challenges and revolutionized the world of computing. A standard QWERTY keyboard has a few dozen keys. How can Chinese—a language with tens of thousands of characters and no alphabet—be input on such a device? In The Chinese Computer, Thomas Mullaney sets out to resolve this paradox, and in doing so...(展开全部)

Providing a broad introduction to the area, A World History of Chinese Literature maps the field of Chinese literature across its various worlds, looking both within – at the world of Chinese literature, its history, linguistic, cultural, local, and regional specificities – and without – at the way Chinese literature has circulated throughout the world. The thematic focus allow...(展开全部)

Chinese–American relations are often viewed through the prism of power rivalry and civilization clash. But China and America’s shared history is much more than a catalog of conflicts. Using culture rather than politics or economics as a reference point, Xu Guoqi highlights significant yet neglected cultural exchanges in which China and America have contributed to each other’s n...(展开全部)

洪子诚，1939年4月生，广东揭阳人。1956年就读于北京大学中文系文学专业。1961年毕业后，留校任教至今。现为中文系教授，博士生导师。主要著述有《当代中国文学概观》、《当代中国文学的艺术问题》、《作家的姿态与自我意识》、《中国当代文学史》、《1956：百花时代》、《问题与方法》等。与人合著有《中国当代新诗史》、《中国当代文学史料选》、《两意集》等。

鲁迅《中国小说史略》英译本，译者杨宪益Yang Hsien-Yi 、戴乃迭 Gladys Yang，外文出版社1976年第三版（1959年第一版，1964年第二版）。